nice price deal !!! brutal traxx is a brand new label for 2008 focusing on the heavy, dance floor side of dubstep, bassline & breaks! first up is chae style, the mellowest of the first 2 tracks but still dancefloor friendly, its all about the oldskool flava blended with new production techniques and q & a basslines! the flipside is called trippin, a hypnotic blend of synth and bass with an energetic arrangement and enough tricks in it

war is a hypnotising roller characterised by its deep synth, subtle percussion and deep bass. the track sets a perfect dubby and melodic atmosphere. the flipside hosts gaijin, a high voltage track with a perfect harmony between the smooth progressive bassline and aggressive stabs. watch out! these tracks will rock the dancefloors over the world.

jim rivers s mishift records returns with another storming release.. this time in the form of >vapour< and >haze< to equally different beats. >vapour< opts for a powerful main room angle, with 80 s synths and pulsing bassline, while >haze< takes things deeper, techy and very cool. essential stuff

the enigmatic bulletdodge brings forth their debut release by up and coming glasgow dj/producers loweck, glasgows well known remixer electro voodoo and chicago house legend gene hunt. the >misdirection ep< is an exciting release that conveys vibrant techno magic. the first track to dawn the wax is lowecks original mix, which is a certain floor filler that drives with a dark bassline and explodes with an exciting arpeggio that will cause a frenzy on any dancefloor. track two is electro voodoos mix which is a more deep dubby mix that delivers a more layed back intelligent techno feel. the e.p. culminates with gene hunts mix which, fuses the essence of the original mix with a sub bass line and minimal bleepy effects to create a killer remix. the e.p. has been supported by terrence dixon and k alexi and is set to be a great success in 2008!

thumping house gear from ferrer and sydenham on this 10inch release on ibadan. behind a booming bassline and a little french kiss synth influence as well, double penetration is perfect for that late night floor action, with a little progressive feel in the sweeping synth lines setting it off just right. both mixes glide effortlessly along - in fact if you get 2 copies and play both sides one after the other, the results would be outstanding!

now up to its third release, soul science recordings continues to deliver high quality, soulful, deep electronic dance music with joel harrisons latest: high voltage. commencing with the original mix, this track does exactly what it says on the tin delivering electrifying, pumping,deep, nu school house. taking sparse electro bleeps as an introduction, the environment starts out building steadily with increasing urgency. utilising sweet and cleverly processed vocal samples as motifs, the track develops into a full on dancefloor mover, complete with thumping kicks, fat chord stabs (for fans of the original detroit masters) and a bouncing off kilter bassline - something of a harrison specialism... wearing his influences proudly on his sleeve, joel has created another sublime electronic deep house track for fans of spirit catcher, john tejada, freerange records and beyond...

second set of remixes for this genre straddling track, featuring the vocal talents of soul sensation in waiting, ben westbeech. marrying the kraakers future funk and hip hop beats with a sensational perfomance from the young bristolian made this track a sure bet as the first choice single although the band did release a couple of warm up eps to remind everyone why their debut album boogie angst was a worldwide success. here trevor loveys, mainstay of the dubsided label, originator of the fidget house sound alongside switch, sinden and jesse rose and partner of herve in the huge selling speakerjunk project, turns in a hot vocal remix that pumps the track towards a different dancefloor altogether. he also found time to serve up a tasty dub that neatly crosses the divide between bassline and techy fidget house. one for the festivals this summer no doubt!

take some banging stripped back drums, a hefty dose of bassline, sprinkle lovingly with soundscapes, samples and finally, just a sprig of synth for good measure. serve in a venue full of up for it clubbers and there you have it - olmeto016. definitely best served hot!

split reissue with twilight rituals amazing raw minimal-electro track >webbmen<, in an exclusive extended, dj-friendly edit by indecs (c-b-s). insane haunting electro from belgium, 1982! on the flip, >perfect high< by peppermint lounge, a rare german electro-wave cut from 83 with a killer bassline and mind bending synths. includes the instrumental version which has been slightly extended.

acid flavoured techno trax..

maxim samos - a new artist and sophiscated guitar player joined the theomatic family. he comes with explosive rusty and dusty space-rock influenced tune - >alpha storm<. taking the idea to the higher levels of perception an-2 will leave you breathless with dancefloor friendly remix spinning wheels with its motoric bassline

support : richie hawtin / tobi neumann / villalobos / dj hell / onur Özer / karotte / gregor tresher / butch / david keno / popof / monika kruse... though the last heckmann - silverscreen is still rotating on the decks of the planet and in the cases of the great entertainers, he strikes again with his brand new series called las vegas ! it will be a story of three 12 inches that will lead to a complete cd album with extra tracks to complete the whole ! the main track las vegas is rushing in like a storm and is rocking as if there was no tomorrow ! fat beats, fat bassline and countless little far out effects, that will tickle your synapses big time ! the second track neon grave takes the story further and will lift even the last man on earth with its electro-latino feel, illuminating bassline and the heckmann style effect-arrays

new big room house anthem by tristan garner. akils strong vocals are backed by a huge piano/synth hook and a groovy bassline that leaves no wishes left.

label boss dj cosmo with a vibey, jazz filled vocal track featuring a grinding bassline and wonderful string arrangement. on the flip talent extraordinaire alix alvarez (centralpark, black vinyl) strikes with a masterfully arranged broken beat remix

inxec (contexterrior) & jpls (minus) remixes !! the dark and twisted throb of inxecs >poisoned truffle< remix of >fungi< hits you with a sub low bassline that rocks back and forth building into a pulsating infectious beat. on the flip side, m_nus stalwart jpls has evolved >the misidia monarchy<, stripping it down to its bare essentials with a series of syncopated minimal beats creating a journey of funk with an intense military edge.

nice price deal !!! huge package of garage and 2 step mixes here. mixes by dj lapell vs sc organ, veteran, reese b, big anges and darren martyn

wideboys house/garage mixes!!

remember tullum combines slick guitar licks, rolling breakbeats and a warming bassline. flipping over and the equally as classy water goes for a stepping drum beat with light percussive touches and an effortless vocal that slides in and out of the mix while the bass notes soothe your soul as you dance your ass off. classic ac business.

the a side kicks off with the highly anticipated release of party all night from french producers bobby and klein, chanting we gonna party all night over an infectious groove that kicks things off proper! the a2 follows party all night with nashvilles real time hand motion hitting us with their amazing honey tune. all the trademark rthm cuts, edits, and vocal bits come together to deliver a funky analog bassline jam with a really unique dancefloor jam. on the flip, mebourne, australias d t3ch turns in the gorgeously funky meerkat music, a tune thats been killing danceloors and a vocal that puts a smile on everybodys face. not to be missed! and last but not least, label bosses the sound republic deliver a tongue in cheek tribute to jason hodges with a chopped up tracky jam that jacks through rolling pianos, xylophopne backed with a bass bit that is humanly impossible not to dance to. all in all, the 4 piece set ep is kicking off the new year in style!

for their latest effort, einzelkind aka arno völker and miguel ayala teamed up with douglas greed for ice 1656 ep. in a1 >la belle<, a rolling, woodblock rhythm sets the scene for the abstracted keyboard tones which cluster around the track’s middle, cranking up the drama and throwing the bottom-line bass throb sharp relief, ahead of the dirty, flanged synth line that’ll gleefully force any dancefloor into submission. >la belle<’s beauty lies in its simplicity - einzelkind and douglas greed use a small, well-chosen assortment of percussive and melodic elements to create a wonderfully tense, propulsive club track with not even a hint of flab about it. for b1 >ed the optician<, the trio inject a bit of funk into proceedings. it’s a slinky little number, characterised by an expanding and contracting, analogue-sounding synth-line, woodwind samples and a bouncy, morse-code bassline, together making for a warm, groving track that will work well in warm-up and peak-time sets alike, not to mention at home. b2 >squirls in a bathtub< is a similarly supple, funk-fuelled cut, driven by haunting, almost animal-like noises and which mutate into wiry acid lines while the aquatic bass drum, hissing shaker and press

the next smash hit and title track from ben monos last years album comes with vocals by female miami bass crew yo majesty. brand new remixes by uk bassline terrorists loose cannons and lorenz rhode in hip house stylee. also including an electro punk remix of midnight sun by dibaba.

the original of song for marie and elise is a melancholic pop jewel, which was made for the movie in your head. the remix comes from the disco superstars aeroplane (of which vito is also a part of). they keep the sweet melody, but put a fatass bassline under it to shook to your very heart and soul and make this an outstanding remix. flip over you ll get code 7429. it combines 90s rave sounds with a stunning piano making this a dancefloor sureshot. hot hot hot!

the title track made a brief appearance last year, garnering spins from the likes of fergie on radio 1. its now primed for full release, retaining its cool stuttering bleeped out hook atop a strident bassline thats designed to make sure no one can physically stand still, whether they want to or not. its also catchy as fuck. mike healey drops a cleaner remix that techs it out some, the first third or so of the track just twitters, phased sounds and hints at whats to come. its 1.00am central trip material until that bass finally implodes. are we alone? is a deeper closing cut, with suitably zoned out vocal samples and more electro tech shenanigans, making for a near essential ep for those who like it dark and trippy.

bad landing is a throbbing mass of dub reduction fuelled by all the space and compression the very capable hands over at dubplates and mastering managed to cram into one side of vinyl. beyond the gargantuan bass weight you find yourself in the presence of a towering valve organ, a looped refrain slowly opening up to reveal a hook thats as catchy as it is incongruous. the a side is substantially more robust and propulsive, fine matallic dollar constructing itself out of sparse percussion and an elongated bassline thats as warm and destructive as you could possibly imagine. the chords here are gnarly and disfigured, slowly disintegrating into an oscillating wave of late night wonkiness that finds mr stott exploring yet another stylistic side street, emerging once again with his own utterly individual sound.

diamond series volume 2 has two a sides classics reworked into 2008 killers by two of d&bs leading dancefloor producers. twisted individual skanks out tear the roof off with bassline carnage and a bouncing funk groove. from the 36th chamber dj vapour remixes tabletop adding his unmistakable bass grime and deep textures.

black rocket is a banger in the vein of the dirty 98 bristol sound that was cherished by folks like decoder and tech itch. a reverberating wood block snare, a big fat distorted bassline and dizzying white noise to fill up any frequency space that was left make this track a tough pill to swallow.

dj support: stephan bodzin, laurent garnier, mijk van dijk, misstress barbara, break 3000, silicone soul... if you havent realised yet, its 2008! and flash recordings are back with a bang. this time around the label owners oliver koletzki and florian meindl joined forces again with their tough breed of minimal and electro creating their unique signature sound that has been hailed as the new german techno. after singles by daso, pawas and lützenkirchen, the two masterminds behind the imprint have decided to throw their skills together in a big pot, stir it around a couple of times and spice it up with some dance floor mania. and their brew is lethal! cyclone is one of those tracks that will completely reorganise any dance floor. koletzkis charming melodies are mixed with some tough minimal meindleske beats that break down in a crescendo of effects and synthie patterns. this is a magic potion! on the flip there is tiger. with its strong bassline the track lurks around the corner eagerly waiting to bite the crowd with an enchanting arpeggio and some great stabby chords

nice price deal !!! once again taken from paris well respected pro zak imprint, this seductive, spliffed out odyssey takes the listener home after a blunted journey through future roots riddims for the millenium. grau one is the first one of a to be continued series. a side: big synthetic rave dancefloor bomb with an on the road again swing bassline. side b: monty rock is an electro elegant hypnotic 80s new wave transe danceflloor hit! dont forget your boots and your slim jeans.

a classic bit of space disco from the french scene of the 70s. four long tracks that are all pretty darn moogy, and pretty darn great! the work here would fit nicely with some of the best keyboard heavy club of the us scene at the time! not exactly like some of the work on p&p, or the grooves of el coco over at avi - but not that dissimilar either, and often put together with a spare, simple approach thats a welcome contrast from overblown disco of the time! most numbers build up from a funky bassline and beats - adding in the keyboards with great relish, and really letting them jam and get crazy over the top. theres certainly a bit of cosmic fusion going on here too

tight beats, driving bass and awesome production are the mark of this producers output and this 12inch is no different. vortex is a dancefloor bassline roller of the highest order! dj support on this release has come from chirs.su, concord dawn, state of mind, subwave among others.

the track >uhlenbusch< shows the minimalistic, but playful side of the duo consisting of the dj ron schatte and producer christian haberer. clapping hands groove along with flabbily vocals. the bassline winds everything to the basics of electronic music put in a new robe. incl. a fabrikat remix by jay la forge (deep in rhythm/schieber) and a flatmate remix by asferico. the fabrikat remix has the power and straightness to be played primetime on the mainfloor of your favorite techno club. in the flatmate remix, asferico strips the original version down to its meer fragments to create a cool and gripping piece of minimal music. an awesome sound experience that makes the record a captivating label debut.

one of japans most intriguing graphic artists >baiyon< has also been producing ethereal and engaging tracks since 1998. having journeyed through cut up hip hop house and dub regions under his conceal moniker, d1 invited him to perform two ecstatically received live sets as baiyon at dublins deaf festival in 2005 and in 2007. now for our 41st in the d1 catalogue we are presenting 4 flawless minimal >trecks< of deep space activity. first up is >s soup< a slick fusion of traditional japanese block grooves and drum machine that climbs its way up into a cloud bursting deep dub house melody explosion. side a is completed by a remix of aforementioned track by south african dj/producer >shane berry< of synewave and trapez fame. the mission continues through >the middle< showing a slightly tougher side to this usually light hearted artist. the plate concludes with a stunning bouncy deep jerky house number >can ride, can walk, cant wait< sweet deep melodies dubbed out over club chuggin beats and a red hot squidge bassline

continuing far outs 7inch series, joyce scats her way over two high octane bossas with an unmistakable feminina-style sound. this 7inch features an exclusive version of feijao com arroz - a track from joyces forthcoming cd yet here with a scorching bassline that differs from the album version and will ensure the tune gets flipped by those djs who know the damage a bass led bossa groove can do to a dancefloor. feijao com arroz - rice and beans - might be the simplest of brazilian dishes yet this track is a master class in samba jazz. joyce and her banda blend the basic ingredients of bass, drums, guitar and vocals into a rhapsodic groove that sounds like it could be a lost classic from seminal joyce albums such as feminina or tardes cariocas. joyce weaves a web of sonorous guitar work in between tuttys frenetic cymbal work as her scat lifts the tune high whilst a driving bassline pushes the groove low, surely putting feijao com arroz up there with the likes of aldeia de ogum and feminina. on the flipside lies penalty, a live favourite from joyces recent japanese tour. again on paper the ingredients look simple - bass, drums, guitar and vocals - yet in the hands of joyce and co the elements are blended together to create a celestial slice of spiritual jazz dance guaranteed to lift even the weariest of souls.

kicking off 2008 with something fresh and new from a brand new signing to the label. first up this year on re:connect is a full on vocal led breaks monster from the genius pairing of australians karl sav and nikita. the original version is up first, a full-vocal affair with crisp but meaty beats, a tasty buzzing bassline, and searing synth lines. remaining a little more laid back to start with, this one builds and builds throughout and is certainly one to get the ladies moving on the dancefloor. on the flipside comes a stomping 4×4 remix from fellow australian dopamine who strips back the vocal to its main elements, adds a pounding beat and twisting bassline to great effect. this ones for all you crossover breaks/house fans out there!

big with: minilogue, dj yellow, luca morris, gregor tresher, davis&may,.. arcobaleni, thats the massive debut single of the talented italian boy spada. hypnotizing bells, sweet melodies and bassline fuse together warmly to create the kind of emotional maripoza stuff everybody loves. as special guest mixer, zakko, who was heavy played by james holden and gregor tresher with his >for her< masterpiece,was in studio to do a deep and melodic interpretation to enjoy…also teatro a devotionful producer created with another point of view for the song a dark, groovy and atmospheric walk

another impeccable production from the slyde boys, with driving beats, infections vocals, and outstanding remix by man of the moment twocker. the a side is breaks at its best. the bassline weaves its way through the sonic stack as posh seduces with her flirtatious lyrics. an outstanding remix comes courtesy of pete tong faves twocker, whose previous remix skills have run riot on cj bollands sugar is sweeter and morillos we like to move it. their genre crossing slyde remix hits all the house buttons, with a jumping jack intro and intense punchy bass lines which juxtapose perfectly with poshs vocals.

funky guitars, a cool vocal loop and a bassline to die for. funky peaktime material here!!! dont miss this

williams is back with a brand new 12inch for get physical, el baile. the lead track immediately enthrals with its galloping kick, snare and analogue bass pattern, before a typically williams-eque, fat but understated electro motif, phased chords and crisp percussion edits propel it onwards into the heart of the dancefloor. >the unbearable truth< is a thrillingly modern, moody take on the straight-up acid track. a devastatingly simple, bending acid line lies at the heart of the track, but its the way the uncompromisingly linear beat and one-note bassline play off it that really makes this track fly. house music to get lost inside. >kiss of life< sounds every bit as vital and reviving as its title implies. its beauty lies in the intricate and expressive interplay of synths: beginning with a lowslung melodic motif, a more nimble, staccato bassline emerges, before the deep, kosmische-style chords arrive ahead of a powerful breakdown into heads-down techhouse strut.

re release of this incredible boogie bomb with a devastating bassline

this is a quality acid-electro burner.on the b-side, « don t fuck », with the featuring of probe1, founder and owner of the french breakbeat label torsion records, will wake up any uk-style lover, with its so strong bassline…all comin up from the south !!level 75 is quietly growin… after the very « clubby » level 75 004 by electrik bet, playlisted by mousse t and jonty skruff, we just turn back to our real « rave » origins : traxx dillaz is now on the label ! known as x-tech, this old dirty rave afficionado started electronics on 1993, founding the famous free party crew oqp, used to throw illegal parties all around europe. 15 years of rave, more than 30 eps released, and… one acidhouse-flavored track for us !! 15 years on acid is something like a trip into traxx s real character : cool and « on top non stop »! special repress

>be with you< by rogue soul is a big club track thats been getting support from hype, bukem, marky, bryan g, bailey and a host of others. syncopixs >footage< on the other side is more of a homage to the classic bristol/full cycle sound - its all about the bassline.

the aa comes with a similar atmospheric intro to the a side but with more steppy beats which take us to the drop, where metallic sounding beats infuse with mid range filter sweeps and a punchy synth bassline.

with his now second release on mauritius, marc vision might still be a newbie to the label, but definitely not to the scene. apart from being an experienced dj since ages with a deep bond to germanys superclub >tribehouse<, he can look back on diverse releases as vision & canedy (on scuba, avalanche, plusquam & hadshot rec.), vita (together with trance pioneer taucher on labels such as tracid traxx & on a mission), visiontool (together with marc o tool on andry nalins label superfly rec.) and finally as marc vision himself (on mauritius, poison, underworld & earregular rec.). >obsession< leaves no doubt being a sure floor filler. subtly but effective the track begins with a deep bassline and develops into a kooky rave-house-monster. >the finest< on the flipside tackles things deeper and more atmospheric, but when a bulky bassline suddenly says hello half way of the track, the unmistakable command is hands up!

so at last its time for misericord number two and a track we re really proud and excited to be releasing. hot on the heels of al ushers mighty gnanfou ep, mugwump deliver their finest work to date. a 107bpm club monster (for us balearic grandads this is not a contradiction in terms) entitled boutade. an extended intro with marcato strings and timpani builds the drama until a massive bassline drops and the dancefloor gets stupid. on the flip myself, naughty and sasse turn in a chugging prescription esque dub for good measure.

the new mojuba brings some fresh tunes from the always reliable oracy. the title track >rewound< is a deep and warm excursion into the sound cosmos that was build on the heritage of detroit and chicago. the flipside is called >hold me< and comes along as peak time cut with some hypnotic disco elements and a phat bassline to proof some serious floor qualities! thats how we like it!

slamming garage tracks

powerful 2-tracker with max dancefloor effect. /fuck on/ is a proper funky minitechno rocker with spectral atmospheres and a vibrant bassline whilst /girotondo/ is mainly based on warm chords, a deep bass and fired twists.

helado en globos is the main track for this release, this number has a bassline which is so funky and driving thats going to even make your grandma dance (expect bootlegs of this track with donna summer funzion ones). for the remix, we had no other than the pan-pot guys who kept the original flavour of the original one adding their special touches to the original recipe turning this track into a deep funky stormer. finally, we took one of funzions best works from the igloo back catalogue, his remix of qiks fall. the only reason we did this because its not just a filler, its killer. enjoy your >helado en globos<!

the best melodic track i ve heard for years is how desyn masiello has described michael cassettes second single on anjunadeep, while others have hailed it as this years discopolis. a tune of sublime beauty, shadows movement features a swirling, hypnotic melody and french flavoured bassline, that combine to deliver a stunning dancefloor moment